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Hummingbird flies over the Oceans

October 7th, 2008 by mny

Flight of the Hummingbird is now published in Spanish, French and English. An earlier version is also available in Korean and Japanese.

Reading at the Vancouver Public Library

October 7th, 2008 by mny

Michael Nicoll Yahgulanaas Reading at the Vancouver Public Library

On Sunday October 12 at the Vancouver Public Library Haida artist and writer, Michael Nicoll Yahgulanaas, will present his newest book, Flight of the Hummingbird, and a short video animation. Based on indigenous parable from South America, the book also reflects social activism in North America and has become part of a wave of environmental activism in Japan. Admission is free, but seating is limited.

Yahgulanaas is the inventor of Haida Manga, a new genre of graphic narrative.

Sunday October 12 at 1:00 pm
Vancouver Public Library
Alice MacKay Room, Lower Level
350 West Georgia St.

source: Geist Magazine

Current exhibit photos

September 18th, 2008 by mny

www.williampitcher.ca/

What Use Art History?

Book review 2008 KITSAP SUN-Society Professional Journalist web site

September 7th, 2008 by mny

Bookmonger: Small Book, Powerful Lesson

Now that students are back in school once again and seriously hitting the books, it may seem contrary for your book reviewer to discuss a book of manga this week.

But hear me out: manga — the cartoon style that originated in Japan — has been embraced by people around the world, and has become a respected art form as well as a forum for ideas.

Flight of the Hummingbird

By Michael Nicoll Yahgulanaas

Greystone. 64 pages. $16.

Just look to the work of Vancouver, B.C. artist Michael Nicoll Yahgulanaas. As a member of the Haida Nation as well as a Canadian, Yahgulanaas has devised a felicitous new genre — Haida manga — that blends cultures and includes a powerful environmental ethic.

His beautiful new book, “Flight of the Hummingbird” is an invitation to reflect, to learn, and to act.

Published by Vancouver’s Greystone Books, this slim volume contains a parable that derives from the Quechua people of South America, but is illustrated in Yahgulanaas’ Haida manga style.

Dukdukdiya is the Haida word for hummingbird, and in this tale, she and her fellow creatures live in the Great Forest. One day, a terrible fire starts to crackle through the trees, and all of the animals must flee. At the edge of the forest they huddle together and bewail their misfortune.

All except one.

Little dukdukdiya has been flying to and fro, between the nearest stream and back to the forest fire. Each time, she carries a drop of water in her beak, which she then drops on the fire before returning to the stream to pick up another drop.

When the other animals finally look up from their commiseration to ask what she is doing, her reply is, “what I can.”

Yahgulanaas has illustrated this tale with stylized and utterly enchanting images of creatures from squirrel and frog to wolf and owl — and of course, the diminutive but valiant dukdukdiya.

This little book has the support of some pretty powerful friends — Nobel Peace Prize winners Wangari Maathai and His Holiness the Dalai Lama.

In a cheerful, pragmatic foreword, Maathai insists that “We can’t wait for others to do it for us; we need to take action ourselves.”

She speaks from firsthand experience — when she took action by planting seven trees nearly 30 years ago, she inspired the Green Belt movement which has resulted in the planting of 30 million trees across Kenya since then. And in an afterword that is both urgent and optimistic in tone, the Dalai Lama stresses the importance of individual acts that can have a powerful cumulative effect when informed by a sense of universal responsibility.

Finally, Yahgulanaas points to a tradition in Haida stories where the tiniest creatures often are the ones to offer up the solution or critical gift. He counsels faith in the power of the small and he too encourages “acts that we as individuals are entirely capable of undertaking.”

This is a wise and inspiring book. In this season of back-to-school, it contains a lesson for us all.

source: http://www.kitsapsun.com/news/2008/sep/07/bookmonger-small-book-powerful-lesson/

ALtiplano image

July 28th, 2008 by mny

 

Altiplano series

Altiplano series

An Italian fan asks “What does Haida Cosmology (Pg 3) mean?”

July 10th, 2008 by mny
Dear Stefano,

The series Haida Cosmology will appear in a French film sometime in 2010. As well, the University of British Columbia Press will publish a book including the Cosmology series later this year.

However, here is a quick response. Page three - along the top row, is a depiction of the inside of a house. The bottom figure is what we call the forehead of the house, that is the back wall. It is the place where the heads of the household will have their bedrooms. It is also the place where your most important guests would sit something like at the head of the banquet table. This is also the wall that is disassembled so a cadaver can be properly removed from the house. Note that the back wall is at the opposite end of the house from that wall with the entrance door.

Immediately above this image is an ovoid-shaped face that looks towards a doorway. While mostly a filler, an image to occupy space, it is also representative of the relative disconnection that something “contained” has to that which contains it. Think of a box with an object placed inside it. The container exists as something quite separate from the other object. The wine remains contained but separate from the bottle.

The image that arches above and fills the page from left to right. The main shape, which is relatively straight represents the timbers of the house. It will be useful to also imagine that the timbers are also limbs. Within that main shape you can see lower middle a doorway. Above the doorway and attached to it is a human body. From left to right is foot, leg with eye design, thigh and stomach connected to the doorway which is then also the birthing channel.

In rapid summary the entire Cosmology piece depicts elements of how the Haida world view functions. It includes positioning our world with a cosmology of simultaneously existing other worlds represented as levels. Birth is also shown. The physical house is also representative of our own meta/physical human lives. Village architecture is more than just a layout of water lines, sewer pipes and other contemporary municipal engineering, it is for the purposes of my depiction mostly a significant depiction of human relationships (i.e. we are all born the same way - so all houses face the ocean and all of us live together - so are all houses are placed side by side in rows. This is not to avoid or diminish the practicalities of municipal construction layouts even in a world before Canadian colonization, but to accentuate that all peoples have deeply embedded meanings and we shape our world according to those personalized beliefs.

The series also depicts death by drawing a distinction between how a regular corpse is treated differently from a person who has worked to develop their healing and caring capacities over their lifetime.

I hope that this brief commentary helps.

regards,
mny

Pedal to the Meddle- sold

June 19th, 2008 by mny

Without the Bill Reid Canoe.

 

RED a haida manga book scheduled for release in 2009. Publisher Douglas & McIntyre

June 16th, 2008 by mny

release date 2009

Shamanic Doodles

May 5th, 2008 by mny

In september last year I released a limited series called Shamanic Doodles. These were original ink sketches on the blank pages in most of the remaining copies of a Tale of Two Shamans. The series consisting of at least three original signed  paintings in each of 90 books sold out in a month. Fortunately I have a full set of digital scans and this will allow us some future examination of that series. Meanwhile the House of the Spirit Bear gallery at Main and 23rd in Vancouver has framed some of his collection.

   image001.jpg

Detail of images that reveal themselves disguised as paintings

April 24th, 2008 by mny