Not yet on the site
Not yet on the site but my current Haida Manga in production really hybridizes ancient iconography and sequential graphic narratives . Think totem pole peoples as a faint notion of what is really happening in those apparently highly abstract flat designs that we still produce. While I am only scratching at the surface here is something as vast as pre columbian written language used from the Columbia River to Northern Alaska. That “art” form which isn’t experimental probably appears alien to most contemporary non indigenous peoples and even in our own communities where much of the poetics are known and produced. However generations of concerted Indigneous language attack by both Canada and the US have seriously eroded the spoken linkages to the physical icons.